SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 16-FEB-2008
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Multitrack Mixdown Settings
1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw.
2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O.
3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source.
4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source.
5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source.
6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues.
7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source.
8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source.
9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1.
10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source.
11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source.
12) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source.
13) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source.
14) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source.
15) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source.
16) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute.
Nice sounding Matrix of a solid show! I'll Admit I am a sound snob when it comes to looking for shows to download, of course it has to be a great show
...
musically first then I look for the best sounding version to download and it is a shame that a lot of the 80's cassette masters have what I feel is quite a lot of hiss - but folks like Mr. Tobin and others are doing a great job making matrix's of a lot of these shows and it seems that the audience part of the matrix cancels out most of the hiss - call me crazy but that is how it seems , like noise canceling and because of this I have added this show and many more to my collection recently - my 1st show was 10-30-70 at Stony Brook (cost 2 dollars) and it is great that because of the work of all these people I can go back and listen to almost all the shows I have been to or desperately wished I was at - every show should have a matrix version.